Although Francis Bacon, 17th century philosopher, statesman and visionary, is widely regarded as the father of modern science, his investigations into the nature of sound are little known. He was intrigued by seemingly magical effects like echoes and sympathetic vibration and sought to explain them through a series of experiments in, and observations of, sound.
Combining modern sound technology with ancient instruments, The Society of Strange and Ancient Instruments explore the aural illusions that so intrigued Francis Bacon and our 17th century forbears with fresh interpretations of 17th century music linked to each other by newly composed pieces. The performers play unusual and historically appropriate instruments including the mysterious violone, the jangling bray harp and the little known viola bastarda. You can find out more about the project by watching this YouTube video. “What the Society of Strange and Ancient Instruments have concocted in 'Sound House' is a wondrous journey through a realm of unimaginable sonic possibilities; travel with them, and I guarantee that you will never think of sound in the same way again” – Early Music Today Saturday 25 June 2016, 7.30pm, Wesley Methodist Church, CB1 1LG THE PERFORMERS Jon Banks: santouri, gothic harp, percussion Liam Byrne: lirone, treble viol Jean Kelly: gothic bray harp, triple harp Alison McGillivray: violone, viola bastarda Jon Nicholls: sound designer and composer Devised and directed by Clare Salaman TICKETS: £5.00 to £23.00 (FREE under-18s) from 0333 666 3366 or online using our Events Calendar. Comments are closed.
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AuthorCambridge Early Music Archives
January 2019
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