8.00pm, Friday 28 September, 2012
A programme to mark the four-hundredth anniversary of the death of
Giovanni Gabrieli (c1557 -1612), with music by Monteverdi, Merula, di Rore, Donato, Castello,
Buonamente, Priuli, and Gabrieli himself.
Seventeenth-century Venetians loved rich and sumptuous spectacle. To satisfy the
expression of this opulence in musical terms, the Venetian printing presses
produced a wealth of instrumental music, designed to echo around the great
golden domes of St Mark's Basilica, and also throughout La Serenissima, in the
churches, the palaces and the grand houses on the banks of the canals.
By the turn of the seventeenth century, instrumental writing had developed into a
highly sophisticated art form, utilising the glorious spaces of Venetian architecture
and the virtuosic abilities of the members of the basilica's wind band. The marriage
of virtuosity and outward extravagance led to some of the finest music ever
written for the wind band, and gives us a window onto the musical tastes of our seventeenth-century
ancestors.
PROGRAMME
Giovanni Gabrieli (c1557 - 1612): Canzon Prima
Claudio Monteverdi (1567 - 1643): Et resurrexit
Andrea Gabrieli (c1532 - 1585): Petit Jacquet
Claudio Monteverdi: Nigra Sum
Claudio Monteverdi: Sanctorum meritis
Tarquinio Merula (1594 - 1665): La Treccha
Giovanni Gabrieli: Alma cortes bella
Cipriano di Rore (c1515 - 1565): Anchor che col partire
Baldassare Donato (1529 - 1603): Aspice Domine
-- Interval --
Dario Castello (1621 - 1649?): Sonata Decimaterza
Baldassare Donato: Surrexit Pastor Bonus
Bastian Chilese (1590 - 1610): Canzon Duodecimaottavo
Giovanni Gabrieli: Canzon francese
Tarquinio Merula: Favus Distillans
Giovanni Buonamente (1533 - 1604): Canzon vigesemasecondo
Claudio Monteverdi: Or che Seneca é morto
Giovanni Gabrieli: Canzon seconda
Giovanni Priuli (1575 - 1626): Exaudi Deus